Three Albums: 2020

I’ve posted a “Three Tracks” list for a number of years (2013, 2014, 2015, 2016, 2017, 2018, 2019, 2020), but have always run into a bit of a problem: single cuts versus album tracks. A lot of the listening I’ve done has always been album-oriented; this has only increased for me in the era of Apple Music and HomePod (“Hey Siri, play the latest album by …”). So this list represents full-length works from which I have found it difficult to pull a single song — though I’ve done so for the videos below, largely randomly.

Fiona Apple: Fetch the Bolt Cutters

A masterpiece. The album that convinced me that I needed a separate list for complete works, not just songs, every year.

Apple Music · Spotify

Waxahatchee: Saint Cloud

A pleasure from beginning to end, over and over.

Apple Music · Spotify

Nine Inch Nails: Ghosts V: Together and Ghosts VI: Locusts

These two ambient albums got me through the early days of the Covid-19 pandemic.

Apple Music (Ghosts V, Ghosts VI) · Spotify (Ghosts V, Ghosts VI)

Honourable Mention

Live Forever, Bartees Strange (Apple Music, Spotify) — must get back to this one; it’s really struck me the few times I’ve put it on.

Jazz

I’m not as much of a knowledgeable or dedicated or focused jazz fan, though I listen to it a lot; here are a few albums I played many times in 2020.

SOURCE, Nubya Garcia (Apple Music, Spotify); Suite: April 2020, Brad Mehldau (Apple Music, Spotify); Blue Note Re:imagined, Various Artists (Apple Music, Spotify); Gogo Penguin, Gogo Penguin (Apple Music, Spotify); Rythme De Passage, Emie R. Roussel Trio (Apple Music, Spotify); Life Goes On, Carla Bley, Andy Shepperd & Steve Swallow (Apple Music, Spotify); Essais, Volume 4, Pierre de Bethmann Trio (Apple Music, Spotify); Dance, Tingvall Trio (Apple Music, Spotify).

See also: 2021, 2022, 2023.

Three Tracks: 2019

Three tracks that satisfied my ears in 2019.

Sharon Van Etten, “No One’s Easy to Love”

True. “Don’t look down, my dear, don’t be surprised […] Don’t look back, my dear, just say you tried.” Bonus points for striking perhaps the most musically interesting note of the year: the second note of the second “love” in each chorus’s “No one’s easy to love.”

Apple Music · Spotify

Vampire Weekend, “This Life”

Song of the summer. “I’ve been cheating through this life and all its suffering / Oh Christ, am I good for nothing?”

Apple Music · Spotify

Patrick Watson, “Here Comes the River”

Pathos for a difficult year. “Well Mary kept sewing / Holding on to her TV / Even if the water was rising past her knees.” I believe this is the only one of my yearly “Fall” playlists (all songs I’ve gathered in the last few years are here on Apple Music) to make it to this list so far.

Apple Music · Spotify

Honourable Mentions

“Terminal Paradise” (Apple Music, Spotify), or pretty much anything from either of their two great 2020 albums, by Big Thief. “Venice Bitch” (Apple Music, Spotify) Lana Del Rey. “Sisyphus” (Apple Music, Spotify), Andrew Bird.

Jazz

I listen to a lot of jazz, but I’m not knowledgeable enough and my listening is not sufficiently comprehensive to produce any kind of narrowed best-of list. I put some of my favourite albums into a Recent Jazz playlist on Apple Music.

See also 2013, 2014, 2015, 2016, 2017, 2018, 2020, 2021, 2022, 2023.

Three Tracks: 2018

Three tracks that defined my year in 2018.

Low, “Always Trying to Work It Out”

Hard to pick a track from my favourite album of the year, but this is a standout. “Everybody says that the war is over / It isn’t something you forget so easily.” Can’t wait to see them live in March. I hadn’t seen the video until I put together this post.

Jon Hopkins, “Singularity”

The wait was worth it. Moves in a melodic/rhythmic way that seems unique to him. Great live, as well.

Lucy Dacus, “Night Shift”

Women seem to be making the best rock music these days. “Hooo-oo, woo-oo-oo oooo-oo, whooo-ao-oo waaa-yyy-yooo, ya-aa-yoo i-yoooo; oo-ii-yaaaaaaaa, i-yaaaaaaa, aa, aa i-yaaa-yoo, oo-waaa-aa-aa.” Best lyric of the year, makes me tear up every time I hear her wail this.

Honourable Mentions

Snail Mail, Stick (“What is it about them / They stick around”); Thom Yorke, Suspirium (“Is the darkness ours to take? Bathed in lightness, Bathed in heat”).

See also 2013, 2014, 2015, 2016, 2017, 2019, 2020, 2021, 2022, 2023.

Three Tracks: 2017

Three tracks that defined my year in 2017.

Big Thief, “Shark Smile”

Ah, the sound of this track makes me move, makes me tear up. This is my music. “And she said woo, baby, take me. And I said woo, baby, take me too.”

The live performance on KCRW is worth checking out, though the mix is poor.

Kelly Lee Owens, “8”

Epiphany jetting up into the sunrise south out of Whitehorse. “See it, oh.” The video below is the whole album, which is great; the individual track is available on Bandcamp.

Aldous Harding, “Horizon”

“Say again, this place.”

The live performance on KEXP is worth watching.

Honourable Mentions

I didn’t realize until I was done choosing that they’re all female artists. Some of the other candidates were perhaps too obvious, and not because they’re mostly men: “The System Only Dreams in Total Darkness” by the National; “I Ain’t the One” by Spoon (saw an incredible live performance of this song in September at Malkin Bowl); “Soak” by Zola Jesus; “HUMBLE.” by Kendrick Lamar.

See also 2013, 2014, 2015, 2016, 2018, 2019, 2020, 2021, 2022, 2023.

Three Tracks: 2016

Three tracks that defined my year in 2016 (I’m late again this year):

David Bowie, “Lazarus”

A brilliant swan song. “This way or no way / You know I’ll be free / Just like that bluebird / Now, ain’t that just like me?”

Radiohead, “Present Tense”

Another year, another breakup. It’s difficult to pick just one song from A Moon Shaped Pool. I wrote back when In Rainbows was released that I couldn’t think of another band which, ten years after its acknowledged masterpiece (OK Computer), came out with something arguably comparable. Well, here we are another nine years later and they’ve done it again. “This dance is like a weapon of self-defence against the present tense.”

Daughter, “How”

I struggled to choose a third song for 2016. But this one struck me initially and powerfully in concert.

See also 2013, 2014, 2015, 2017, 2018, 2019, 2020, 2021, 2022, 2023.

Three Tracks: 2015

Better late that even later. Three tracks that defined my year in 2015:

Beach House, “Space Song”

It was a year of transition. At the tail end of summer, walking and biking Cannon Beach in Oregon, I felt that five years after my divorce everything had finally come together and I had myself back fully, even though I’d just realized it. “Fall back into place.” A revelation live at their April 2016 concert in Vancouver.

Sufjan Stevens, “Blue Bucket of Gold”

Driving the beautiful Highway 26 from Portland to the ocean, rain alternating with sun. One relationship over, and another one—I could almost feel it—just around the corner. “Raise your right hand / Tell me you want me in your life / Or raise your red flag / Just when I want you in my life.” Another great concert in June 2015 at the Orpheum.

Sjowgren, “Seventeen”

I don’t include enough fun songs in these lists. “If you want a second to breathe / I’ll give you all of my love / I’ll give you all that you need, ah.”

See also 2013, 2014, 2016, 2017, 2018.

Three Tracks: 2014

Three tracks that defined my year:

Sun Kil Moon, “Richard Ramirez Died Today of Natural Causes”

Chilling, intense. One of the best-ever songs about death of all sorts. “And I remember just where I was/When Richard Ramirez died of natural causes.”

Cloud Nothings, “I’m Not Part of Me”

One of the best shows I saw this year. “I’m learning how to be here and nowhere else.” And: “I’m not! I’m not! You.”

(I included the audio-only YouTube link as the official video is just distracting.)

Spoon, “Do You”

Song of the summer, and it’s been a while since we had one this great. The wistful ending—sort of like the end of summer, come to think of it—puts it over the top. “Do you want to get understood?”

See also 2013, 2015, 2016, 2017, 2018.

Three Tracks: 2013

I had this in mind a year ago, but never got around to posting it (see Three Tracks: 2014). Three tracks that defined my year:

Jon Hopkins, “Open Eye Signal”

The track is a journey, a revelation (and the video is actually pretty great). Saw Hopkins in November (and again in July 2014), and it was brilliant.

The Knife, “A Tooth For An Eye”

It rocks. “I’m telling you stories/Trust me.”

Vampire Weekend, “Ya Hey”

Like a 21st century Paul Simon; the whole album is great. “Who could ever live that way?”

See also 2014, 2015, 2016, 2017, 2018.

Robin Williams

He’s been remembered in recent days for the obvious stuff: Mork; Good Will Hunting; Doubtfire; and so on. All great. But for me, and I think my daughter Karina, it’s his reading of “The Fool and the Flying Ship” that is most memorable. All of  his manic inventiveness is here. The voices, the enthusiasm, and what I assume is a good dose of improv are hilarious. He was one of a kind.

https://www.youtube.com/watch?v=1b_gHEbdbEk

Reading 2013

Another year, some more great books (see also 2011, 2012).

Fiction

fiction

Cathedral, Raymond Carver – Always wanted to read Carver; Junot Díaz suggested this one in a recent interview. Some of the best short stories I’ve read in ages. Modern Chekhov, etc., sure. But they’re also slow-burning page-turners—and after all, isn’t that a large part of the point of reading? I can’t say that they always preserve a kind of dignity in the everyday-or-worse characters; but they make them real and mundane in a way that’s extremely compelling and fascinating and believable. But beyond that, it’s the interactions between people that shine: it’s almost a relief to be shown that what can be most important are these encounters, whether in crisis situations or not. I read this from Carver: Collected Stories, and look forward to reading more.

The Dog Stars, Peter Heller – Good and sometimes great writing; insightful, suspenseful, pensive, and with three-dimensional characters. And it’s a page-turner. I don’t care how many post-apocalyptic books have been written blah blah blah; does it really matter? Anyway, I haven’t read many, but I think this stands on its own, and the situation is ultimately a framework, a platform for characters (mostly Hig) trying to understand themselves and their motivations. Beautifully done, in my humble opinion. A great summer read—but I say that partly because I read it in the summer, I suppose.

Tenth of December, George Saunders – Saunders draws you in with surprising humour and squeezes, simultaneously. In less capable hands, some of these portrayals might have come across as condescending; but there’s enough insight, not to mention familiarity, to push things forward in a sympathetic way and towards ends which render the details just that. The reader feels inside these heads and incorporates a complete internal consistency. Entertaining and enlightening.

Levels of Life, Julian Barnes – An unusual premise, to say the least: the history of ballooning leading into the loss of a spouse. But it’s pulled off beautifully. Barnes has become one of my favourite writers.

Claire of the Sea Light, Edwidge Danticat – It’s a beautiful arc, but at a point—specifically, through some of the chapter “Di Mwen, Tell Me”—the writing falls apart a bit. But overall it made me want to read some of Danticat’s earlier books.

A Visit from the Goon Squad, Jennifer Egan – For some reason I read this over a longer span of time, more like a series of related short stories—which I’ve heard argued they really are; but I’d like to go back to it and make the character connections more concrete. Even as short stories, though, I found the book sharp and entertaining.

A Hologram for the King, Dave Eggers – Some reviews I’ve read are I believe over-thinking things. This is a novel about a character that is perhaps not likeable, but at the same time maybe it exposes some fears that there’s more of him in us than we feel comfortable with. I thought Alan was developed quite well. It’s important to remember that we’re restricted to his world view—not, perhaps, an unreliable narrator, but one who is somewhat aware of his naïveté and has lost confidence as a result—and that the language is his, and what we can see of politics and Saudi Arabia is from his point of view. He’s self-aware in his unawareness, and that’s pulled off pretty well. It’s an easy read, a lightweight book in many ways perhaps, and the ending is perfunctory. But I think Eggers made an uninteresting type into an interesting centrepiece, if not exactly a protagonist.

After the Quake, Haruki Murakami – I didn’t take notes and honestly can’t remember much about this book. Maybe that says something.

Non-Fiction

nonfiction

Hitch-22, Christopher Hitchens – More than any other writer, I think, reading Hitchens feels like being engaged in conversation: one after which I feel sharper, and speak and writer better. I don’t read a lot of memoirs, but this one is distinct because he was such an interesting guy, so ultimately a lot of the book is not directly about him. The chapter “Mesopotamia from Both Sides” is particularly brilliant, providing more context and explanation for Hitch’s “support” of the second Iraq war, and reducing it to the personal in an incredibly affecting way through the story of Mark Daily.

The Unwinding: An Inner History of the New America, George Packer – No single volume of course can completely (and impartially) distill the tone and direction of a country like the United States over the course of several decades. But this gives a strong impression of a wide range of some very American characters through their fascinating stories. The only Writers Fest event I attended this year was an interview with Packer, and it was great.

Going Solo: The Extraordinary Rise and Surprising Appeal of Living Alone, Eric Klinenberg – Due to “the rising status of women, the growth of cities, the development of communications technologies, and the expansion of the life course,” many—most—of us are now living alone. I didn’t need convincing (I live alone and cannot imagine ever cohabiting again), but thought this would be an interesting read. It was, although there was I think too much emphasis on the elderly. It’s a new area, so the author has actually done a pretty good job of pulling together anecdotes from various cultures and countries (pointing out once again, among other things, how backwards and behind we are in terms of social policy compared with the Scandinavian countries). I bristled every time he described the appearance of a woman interview subject, though; I don’t think I’m misremembering or miscounting in believing that he didn’t do so to the same extent with the males. Perhaps my biggest lesson from this book is that I should plan to live close to my daughter when I’m older. Ultimately it’s one of those books that probably could have been shorter by half, perhaps comprising a series of interesting articles. But if you’re interested in the topic, it’s a worthwhile read.

Hallucinations, Oliver Sacks – I didn’t enjoy this as much of some of Sacks’ other books: the chapters are organized around types of hallucinations, with patient stories sprinkled throughout, whereas I really enjoyed the expanded case studies of, for example, “An Anthropologist on Mars.” Still, lots of fascinating material here; the author always makes one think about one’s own perception. If you like his books, there’s no reason to skip this one.

I Wear the Black Hat: Grappling with Villains, Chuck Klosterman – My initial review for this book was going to be: “Merely clever.” But then as I got further I started to think it wasn’t even very clever; and it isn’t funny. It’s too bad, because I enjoyed a couple of Klosterman’s earlier books. Here are a couple of quick examples: “Necessity used to be the mother of invention, but then we ran out of things that were necessary. The postmodern mother of invention is desire; we don’t really ‘need’ anything new, so we only create what we want.” If he’s trying to be funny with this sort of end-of-history thinking, he isn’t succeeding. But I don’t think he’s trying to be funny here. Do I need to give examples? I’m not going to bother. Or this sentence: “He refused to pretend that his life didn’t feel normal to the person inside it.” WHAT?! The book is full of this kind of thing. It would be head-scratching if it was worth scratching one’s head about. But it isn’t.

How Should a Person Be?Sheila Heti – It’s hard to rate this book. It feels like an early draft of something else; the question is whether that something would ever be any good. I tend to think not. I suppose that the main problem is that the narrator is for the most part so incredibly unlikable. Narcissism doesn’t really describe it; perhaps vacant and spoiled do. To be sure, there are a few decent moments; but they’re buried. For me the book and the author were made all the worse for apparently completely misunderstanding one of the nicest moments in The Little Prince.